Slang, youth subcultures and rock music

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Music genre that originated in London in 1976 when confrontational noisemakers Throbbing Gristle founded the Industrial Records label. Disappointed that punk rock had joined the rock 'n' roll tradition instead of destroying it, British and American fellow travelers like Leather Nun, Monte Cazzazza, and Cabaret Voltaire aligned themselves with Industrial Records, creating a broad church for (usually rhythic) experiments with noise collage, found sounds, and extreme lyrical themes. Believing that punk's revolution could be realized only by severing its roots in traditional rock, industrial bands deployed noise, electronics, hypnotic machine rhyths, and tape loops. Instead of rallying youth behind political slogans, industrial artists preferred to "decondition" the individual listener by confronting taboos. Key literary influences were J.G. Ballard's anatomies of aberrant sexuality and the paranoid visions and "cut-up" collage techniques of William S. Burroughs.The industrial subculture (touching on transgressive fiction (Contemporary fiction-writing trend that prowls the psycho-narco-sexual frontiers and "dysfunctional" relationships of the Marquis de Sade, William Burroughs, and serial killers.), S/M (sadism and masochism), and piercing) spread worldwide.


Main Entry: hard core Function: noun Date: 1936 1 : a central or fundamental and usually enduring group or part: as a : a relatively small enduring core of society marked by apparent resistance to change or inability to escape a persistent wretched condition (as poverty or chronic unemployment) b : a militant or fiercely loyal faction 2 usually hard·core /-"kOr, -"kor/ chiefly British : hard material in pieces (as broken bricks or stone) used as a bottom (as in making roads and in foundations)

Source: Webster's Revised Unabridged Dictionary

Following the “death” of punk in the late 1970’s was a hard and heavy form of punk known as Hardcore. Hardcore is faster, louder, and heavier than the punk of the 1970’s, and it gained much popularity over the early and mid 1980’s. Typically the vocals are screamed and unintelligible, though they frequently give voice to strong political sentiments, the bass is played with a pick and is clear and tonal while the guitar forms a dynamic, often atonal, texture of sound. rock and roll radio. Bands such as Black Flag, D.O.A., Circle Jerks, Fear, Bad Brains, The Meatmen, Agent Orange and Minor Threat were the major influences in Hardcore, and the idea of slam dancing was born in the tradition of punks “pogo dancing”. This slam dancing, or moshing, was done in a mosh pit and was accompanied by the occasional stage diving or crowd surfing. The main message of Hardcore was “DIY”, or Do It Yourself. The DIY movement was purely in the tradition of punk; punk was a form of music that almost anyone could play, it usually involved only 3-chords and a band could be put together cheaply. It was a not-so-expensive way for youth to put out their message.


The DIY style of Hardcore gave way to other subcultures of punk, one in particular is known as sXe, or Straight Edge. Most of the sXe credit is given to the band Minor Threat after they released their song “Straight Edge”. The song was an outcry against the effects of drugs, and fans of Minor Threat started to quit using non-pharmaceutical drugs like nicotine, alcohol, and marijuana. These Straight Edgers felt that using drugs was a sign of weakness, and they still dressed as normal punks did, but wore anti drug messages on their shirts. The symbol of Straight Edgers is a large X, originally a symbol that clubs would mark on hands if the person was not old enough to (legally) drink. Eventually Straight Edgers started to put the marks on by themselves, even if they were over 21, to signify that they were living drug-free. Other movements that found their way into the Hardcore DIY scene were Green Peace, the Vegan Movement, concerts raising money for the homeless, and the Hare Krishnas, as well as other religious groups.

Реферат опубликован: 7/06/2006