I am an anti-Christ I am an anarchist, don't know what I want but I know how to get it. I wanna destroy the passers-by 'cos I wanna be anarchy…
The Sex Pistols released their second single, "God Save the Queen," in June 1977 to coincide with Queen Elizabeth II's Silver Jubilee (the 25th anniversary of her accession to the throne). Although banned by the British media, the single rose rapidly to number two on the charts. As "public enemies number one," the Sex Pistols were subjected to physical violence and harassment.
God save the Queen the fascist regime, they made you a moron a potential H-bomb. God save the Queen she ain't no human being. There is no future in England's dreaming Don't be told what you want Don't be told what you need. There's no future there's no future there's no future for you God save the Queen 'cos tourists are money and our figurehead is not what she seems Oh God save history God save your mad parade Oh Lord God have mercy all crimes are paid. When there's no future how can there be sin we're the flowers in the dustbin we're the poison in your human machine we're the future you're future
God save the Queen we mean it man there is no future in England's dreaming No future no future for you no fufure for me
Punks formed a style to disassociate themselves from society. They refused to dress conservatively, wearing clothing such as ripped or torn jeans, t-shirts or button-down shirts with odd and sometimes offensive remarks labeled on them. This clothing was sometimes held together with band patches or safety pins, and the clothing rarely matched; such patterns as plaid and leopard skin was a commonplace. It was not unusual to see a large amount of body piercing and oddly crafted haircuts. The punks dressed (and still do) like this to separate themselves from society norms. Punks believed in separating themselves from society as much as possible; thus the odd dress and/or rude style. Many times these punks are associated with anarchy. Although most all punks were about anarchy, They believed that government was evil, and that a government society could never be perfect; the government was as far from Utopia as one could get. By the early 1980’s, punk went underground and underwent many changes. These changes were the formation of subcultures.
Main Entry: 2mod Function: adjective Etymology: short for modern Date: 1964 1 : of, relating to, or being the characteristic style of 1960s British youth culture 2 : HIP, TRENDY
Source: Webster's Revised Unabridged Dictionary
The Mod was a product of working-class British youth of the mid-sixties. The popular perception of the mod was this: "Mod" meant effeminate, stuck up, emulating the middle classes, aspiring to be competitive, snobbish. The old image was one of neatness, of 'coolness'. The music of the Mod was strictly black in inspiration: rhyth and blues, early soul and Tamla, Jamaican ska. The closest thing to a Mod group was probably the Who - the music neatly caught up the 'pilled up'. London nightlife of the mod mythology in a series of effective anthems: 'My Generation, 'Can't Explain', 'Anyhow, Anywhere'. The drug use of Mods was of amphetamines ('purple hearts', French blues', Dexedrine) and pills, uppers and downers, and sleepers. Brake explains why the Mods existed by writing "for this group there was an attempt to fill a dreary life with the memories of hedonistic consumption during the leisure hours .the insignificance of the work day was made up for in the glamour and fantasy of night life." These were working class teenagers whose white-collar office work was a drudgery that, for many, would exist for the rest of their lives. The Mods had their “own” style of life, “own” music and “own” bands. They were different from another fashion victims not only with their clothes (suits, severe ties, long scarfs) but they led a secluded life, they were on bad with the strangers. They spent endless evenings in their “own” bars and had a great passion for scooters.
Реферат опубликован: 7/06/2006