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Иностранные языки > British painting in the 17-18th centuries


subjects in the Grand Manner, and, painted for Boydell's Shakespeare Gallery. His sepia drawings, mostly designs for literary and historical subjects which he never carried put, were highly prized; there is a large collection of them in the Fitzwilliam Museum, Cambridge. 5.4) Thomas Gainsborough (1727-1788) When Gainsborough made his often-quoted remark about Reynolds, "Damn him, how various he is", he was glancing, we may suppose, at the peculiar skill by which his great rival ran the whole gamut of portrait-painting, from "mere heads" to the most elaborate poetic a

Название: British painting in the 17-18th centuries
Дата публикации: 2004-10-06

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